Tang Tsz Wai Cheri is a Hong Kong-based interdisciplinary artist whose practice investigates the intersections of synesthesia, materiality, and sound. A 2025 Bachelor of Fine Arts graduate from RMIT University and Hong Kong Art School (Dean's List), Cheri combines clay forms with industrial found objects to create site-responsive, kinetic installations. Seeking to reimagine the possibilities of ceramics as a static medium, her work focuses on the tactile and acoustic frequencies inherent within raw materials.

Cheri’s methodology is rooted in urban observation and improvisational practice, capturing and translating fleeting environmental narratives directly from the field. Through her participation in soundpocket’s Artist Support Programme 2025–26, she continues to evolve her practice across diverse spatial conditions and production timelines. Her exhibition history includes two 2026 solo projects: [pocketed grounds] ↔ ([[o]]) Bells at Art Center Ongoing (Tokyo) and ([[o]]) Bells: The Resonance of Perceptions at Indige Studio (Hong Kong).

Her recent group exhibitions include Celebrating Traditional Wisdom Through Art (presented by the Centre for Civil Society and Governance of The University of Hong Kong at Anita Chan Lai Ling Gallery, Fringe Club), The Shape of Yearning at PMQ’s deTour 2025, and Sonic Anchor #48: On that note, co-presented by Contemporary Musiking Hong Kong and the Hong Kong Arts Centre. As a recipient of the "智韵瓷章・新銳突破" award at the 2nd National College Student Ceramic Works Exhibition, Cheri integrates her background in acoustic ceramics and spatial installation into collaborative frameworks, offering multi-sensory perspectives to explore collective urban encounters with fellow practitioners.

鄧芷蔚是一位現居香港的多元實踐藝術家，主要透過陶瓷與聲音探討聯覺與物質性。她於 2025 年畢業於澳洲皇家墨爾本理工大學與香港藝術學院（名列院長嘉許名單）。鄧氏的實踐結合陶泥形態與工業現成物，製作與特定場域對話的動態聲音裝置。她試圖重新想像陶瓷作為靜態媒介的可能，將關注點落在原材料本身的觸覺與聲學頻率。

鄧氏的創作源於對城市環境的觀察與即興製作，直接在田野中捕捉並轉譯環境敘事。在參與聲音掏腰包「藝術家支援計劃 2025–26」期間，她持續嘗試在不同的空間條件與時間限制下進行創作。她於 2026 年舉辦了兩場個展，分別為東京 Art Center Ongoing 的《[兜土] ↔ ([[o]]) 鈴 — 鄧芷蔚個人展覽》以及香港 Indige Studio 的《([[o]]) 鈴：感知共振》。

此外，她亦參與多個聯展與合作項目，包括由香港大學公民社會與治理研究中心主辦、於中環藝穗會陳麗玲畫廊展出的《以藝術說傳統智慧》、PMQ 元創方「deTour 2025」設計節的《The Shape of Yearning》，以及由現在音樂與香港藝術中心共同策劃、於麥高利小劇場發表的《Sonic Anchor #48: On that note》。作為第二屆全國大學生陶瓷藝術作品展中「智韵瓷章・新銳突破」獎的得主，鄧氏將其在聲學陶瓷與空間裝置的背景帶入合作架構，為同行實踐者提供多感官視角與技術支援，共同探索集體的城市遭遇。