M◯ldiηg([[Bo/dy(s)]]) <=> M◯viηg(S(o)U_nd(s))

2026

Installation: Tang Tsz Wai Cheri
Sound Design of Installation: Dmitry Po @dtoolate
Performed by: Bowie @bo_dancetravel & Dmitry Po
Organized by: Room712 @room7.12

A progress showing of process and collaboration

A performer moves among the molds—
bending, resisting, cracking open…
being molded.

A performer sources from the side—
the sounds, noise,
positive and negative space…
recording.

They return with raw materials:
the time of making,
held in the body,
in frequencies,
in cassette and radio,
in the space itself.

In parallel, they explore
transmutation and synesthesia,
working with the traces of making
that are still lingering in the air.

— in the making
and in the becoming—

過程與合作的展現

一位表演者在模具之間移動—
彎曲、抵抗、裂開……
被塑形。

一位表演者在一旁取材—
聲音、雜訊、正負空間……
錄製。

他們帶回原始材料：製作的時間
被保存在身體裡，
在頻率之中，
在卡式錄音帶與收音機裡，
也在空間本身。

他們探索轉化與聯覺關係，
那些仍在空氣中縈繞的製作痕跡一起。

— 成形中

製作中 —

A progress showing of process and collaboration

A performer moves among the molds—
bending, resisting, cracking open…
being molded.

A performer sources from the side—
the sounds, noise,
positive and negative space…
recording.

They return with raw materials:
the time of making,
held in the body,
in frequencies,
in cassette and radio,
in the space itself.

In parallel, they explore
transmutation and synesthesia,
working with the traces of making
that are still lingering in the air.

— in the making
and in the becoming—

Performance photos credit: Lam Man Chi @lmann.c