[[o]]

2026

Single-channel video, color, sound, 21’23”

Improvised by Dmitry Po and Tang Tsz Wai Cheri

As ceramics reintegrate into the park’s structure, two artists play alongside them, capturing

vibrations that are never fully contained. Here, listening is redefined as an active act of perception.

This exploration traces back to the very beginning of working with ceramics, rooted in an initial

curiosity about channeling active and passive energies within touching clay and making ceramics.

Looking back, watching those very test tiles from the earliest days of learning the craft yield to

gravity as they swept down the sloped structures—each unknown glaze full of anticipation—

presents a vivid reminder of that foundational fascination. The original dynamic is extended through

sound, space, and video.

[[o]]

2026

單頻道錄像,彩色,聲音,21 分 23 秒

即興演出:Dmitry Po、鄧芷蔚

陶瓷重回公園的結構之中,兩位藝術家與之共奏,捕捉那永不被框限的震動。此處,聆聽

被重新定義為一種主動的感知。這份探索追溯至涉足陶瓷的最初起點,源於將主動與被動

能量注入其中的一腔好奇——從觸摸陶泥、製作陶瓷,到轉化它們的各種可能。回望過

去,看著當初學習陶藝之始所製作的試釉片,順應重力在斜坡結構上流轉下滑,每種未知

的色彩都滿載期待,清晰地喚起那份最初的著迷。這種最初的動態藉由聲音、空間與錄像

得以延續,重新造訪這一切的起點。

Extension of the Work [[o]]


Improvisational Performance by Bowie and Dmitry Po